Time and again a man will stand before a hardware store window eyeing the tools arrayed behind the glass; his mouth will water; he will go in and hand over $2.65 for a perfectly special kind of wrench; and probably he will never, never, use it for anything. -Walker Evans

暂无剧情简介

Cecilia is too afraid one night to let her housekeeper's son into the house. The next day his dead body is found.

Known as "El Mago Pop," illusionist Antonio Díaz shocks and awes celebrities and bystanders around the world with his mind-blowing performances.

A once-powerful, but now ailing movie director nears the end of his life. As he awaits death, he slips into a "dream" and is shown three "snippets" of the movie of his son's life. At first suspicious, then curious, and ultimately captivated, he watches his son's growth from mid-teens to mid-thirties as the son pursues his life-long love, Isabelle. The two constants through these snippets are his pursuit of Isabelle and the imagined voice of his father, telling him that he is worthless and unwanted. It is not until the story reaches its conclusion, that the old man discovers the surprising truth about his son and himself.

A once-powerful, but now ailing movie director nears the end of his life. As he awaits death, he slips into a "dream" and is shown three "snippets" of the movie of his son's life. At first suspicious, then curious, and ultimately captivated, he watches his son's growth from mid-teens to mid-thirties as the son pursues his life-long love, Isabelle. The two constants through these snippets are his pursuit of Isabelle and the imagined voice of his father, telling him that he is worthless and unwanted. It is not until the story reaches its conclusion, that the old man discovers the surprising truth about his son and himself.

"Illusion" is the story of Teacher Jane, a music teacher at a private high school. She became the target and the victim of her own group of students; Time, Per, Tae and Yu, the children of nationally influential people.Until it became the big news of 2022 and she has to fight and figure out how to restore her reputation through various methods.As a result, she learned some secrets that the powerful clan was hiding... information related to the disappearance of one person!

A young handyman and his wife move to a small village and set up business. There, the handyman encounters numerous strange characters, including a local constable more inept than a squad car full of Keystone Kops; an elderly magistrate whose primary passion is spanking young women; a schoolmistress with a closetful of kinks; and more predatory housewives than the young man can handle.

Spica Virgo is an apprentice witch, but can’t use any magic. She needs someone to be her master in order to get into the academy of her dreams, but she has no money and no connections. Suddenly, a mysterious talking black cat that can use magic appears before her!! Spica wants to learn magic, and the black cat wants his curse broken—goals on the same path. Therefore, a secret master-apprentice relationship was born! But the key to breaking the curse is kissing his…?!

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.